Gartenmöbe l, Galerie Meyer Kainer, Vienna, Austriaįranz West: Early Work, Zwirner & Wirth, New York (through 2005)įranz West: Hurdy Gurdy, James Kelly Contemporary, Santa Fe, New Mexicoįranz West: Recent Sculptures, (sponsored by the Public Art Fund), Lincoln Center and Doris C. Reflection Part 1: Michelangelo Pistoletto/Franz West, Sutton Lane, London, United Kingdom Galerie Jean Bernier/Eliades, Athens, Greece Sit on My Chair, Lay on My Bed, MAK - Museum fur angewandte Kunst, Vienna, Austriaįranz West: Asymmetrische Kunst, Galerie Eva Presenhuber, Zurich, Switzerlandįranz West: Passstuecke, Gagosian Gallery, New Yorkįranz West, Mario Sequeira Gallery, Braga, Portugalįranz West, Die Macht der Frauen, at Meyer Kainer Gallery, Vienna, Austriaįabric, Galerie Bärbel Grässlin, Frankfurt, Germanyįranz West, Galerie Ghislaine Hussenot, Paris, Franceįranz West: Displacement and Condensation, Gagosian Gallery, London, United Kingdomįranz West: 3 Outdoor Sculptures, Galerie Eva Presenhuber, Zurich, Switzerlandįranz West: Sale, Gagosian Gallery, Beverly Hills, Californiaġ00 Artists See God, Contemporary Art Center of Virginia, VA.Der Ficker, with Clegg & Guttmann and Rudolf Polansky, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austriaįranz West, Vancouver Art Gallery, Canadaįranz West, Galerie Bärbel Grässlin, Frankfurt, Germanyįranz West: Early Work, Ruzicska Gallery, Salzburg, Austriaħth & Penn Street, The Pittsburgh Cultural Trust, Pennsylvania To Build A House You Start With The Roof, Balitmore Museum of Art, Baltimore, Maryland To Build A House You Start With The Roof, Los Angeles County Museum of Art, Los Angeles, California Works from the 1990s, Zwirner&Wirth, New York Room in Rome, Piazza di Pietra, Rome, Italyįranz West, Fondation Beyeler, Basel, Switzerland Roman Room, Gagosian Gallery, Rome, Italy Man With A Ball, Gagosian Gallery, London, United Kingdomįurniture, Gagosian Gallery, Athens, GreeceĪutotheater, Museum Ludwig, Ludwig, MADRE, Naples and Kunsthaus Graz, Graz, Austriaĭouble Squint, Almine Rech Gallery, Brussels, Belgium Where is My Eight? Museum fur Moderne Kunst, Frankfurt, Germany West has also participated in several Venice Biennales, he was awarded the Golden Lion for Lifetime Achievement at the 54th Venice Biennale, and his work has been featured in multiple publications.ġ977-82: Studied at the Academy of Applied Arts with Bruno Gironcoli, Vienna, Austriaġ992/93: Taught at the Städel School, Frankfurt, Germanyįranz West: Works 1989-2011, Gagosian, Rome, Italyįranz West, Centre Georges Pompidou, Paris, France Tate Modern, London, Englandįranz West, Tim Van Laere Gallery, Antwerp, Belgiumįranz West: Works 1970-2010, Gagosian, Geneva, Switzerlandįranz West: The Mathis Esterhazy Collection, Galerie Mezzanin, Geneva, Switzerlandįranz West – ARTISTCLUB, The 21er Haus, Vienna, Austriaįranz West: Moebelskulpturen/Furniture Works, Gagosian Gallery, New Yorkįranz West, Galerie Eva Presenhuber, Zurich, Switzerlandįranz West: Where is My Eight?, Hepworth Wakefield, West Yorkshire, Englandįranz West, Williams College Museum of Art, Williamstown, MAįranz West: Les Pommes d’Adam, Hall Art Foundation at MASS MoCA, North Adams, MA He has also participated in exhibitions in major institutions such as the Museum of Modern Art in New York, the Museo Nacional de Arte Reina Sofía in Madrid, and the National Museum in Oslo. Recent solo exhibitions of his work have been held in institutions such as Tate Modern in London in 2019, the Centre Pompidou in Paris in 2018, Museum for Moderne Kunst in Frankfurt in 2013, Museum Ludwig in Cologne in 2010, the Baltimore Museum of Art in 2008 and the MUMOK in Vienna and The State Hermitage Museum in St. Through these works, West further explores the relationship between art and every day life and challenges traditional notions of the experience of the art object.įranz West has exhibited extensively throughout the United States and Europe. By the 1980s, West’s sculptures had grown in scale and were made in more permanent materials such as polyester and aluminum, to construct installations of seating and lounges that were to be used by the viewer. It is believed that West might have made these works in response to Actionism, an Austrian art movement that wanted to introduce more dynamism into the art-world through public displays of physicality. These early sculptural works (‘Adaptives’ or Paßstücke) were meant to be portable, and interacted with by the viewer. His earliest works were collages and small sculptures made from papier-mâché. He began consolidating his particular style during the 1960s.
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